A decade ago, at a time when both Disney and Pixar’s animation output was not exactly unsuccessful but entirely unmemorable, Frozen became a sticky $1.2bn game-changer, a box office hit that turned into an all-consuming phenomenon. It won Oscars, produced earworms that burrowed (a little too) deep, spawned a $1.45bn sequel, led to a hit Broadway musical and showed Disney how to dust off the contemporarily critiqued princess narrative rather than throw it away completely.
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