Earlier this year, Adam Sandler’s high-volume, low-quality Netflix deal gifted us with the surprisingly sensitive coming-of-age comedy You Are So Not Invited to My Bat Mitzvah, a rare critical win for his company, Happy Madison. It might not have reached the heights of the year’s other big pre-teen adaptation Are You There God, It’s Me Margaret? but it was sweeter and subtler than most expected and became his best-reviewed film to date on Rotten Tomatoes, an interesting use of his sway at the streamer.
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